Dhobi Ghaat: My take on it.


firstly, this is the first movie review that am writing.
secondly, this happens to be the most discussed and debated movie of 2011 till date. varied opinions...contradicting views and reason of innumerable arguments!!

lets just get to the point.
i will not be discussing the technicalities of the movie. i do not think i should comment on aspects that i am not very proficient in. i shall focus on the style of story telling, performances, background score and other such aspects only.

when i sat down to watch the movie...i decided that i would do so unbiased.
the opening was not captivating enough. the movie carried on...into some unknown territory. my attention was else where. and then it happened...all of a sudden. i was captivated.
not just captivated... i lost myself into the splendid web that Rao has weaved around Arun and Yasmin. for me this part of the movie stood out above the rest. Shai and the Dhobi somehow didnt have that kind of an effect on me. i was lost in that one beautiful story. the story of a simple girl who's come far away from home to be with her husband. she is a naive devoted wife...oblivious to the treachery that Fate has in store for her. Arun is a mystery. his art is his expression...his only emotional outlet.
Arun's story is recounted by those who knew him...failed marriage and a son. we are never really taken down his memory lane. we never get to know his thoughts. Arun is a flowing river...he flows with the tide of time...with life. ever searching for that one thing that doesnt seem to comes to him...peace. Peace is his sea. his ultimate destination.
yasmin told her own story. bit by bit...word by word...slowly taking us into her world, her life. she makes us a part of her existence. and gradually she became a part of Arun...his muse.
the silent lady next door...she is Time. a dumb witness.
the performances were brilliant. Aamir's eyes did all the work here, at times aided by his bodily gestures. kriti was you...she was me...a simple girl with the simplest of dreams. and opposite aamir she did manage to hold up her own.
this part of the movie was pure poetry. the background score complimented the visuals brilliantly. at times the music seemed to be playing a part in the movie...like the city. the timelessness of the city...the same city through different eyes. the window is the same...but the audience has changed.

Shai and Munna did not really have this huge an impact on me. it was stale compared to the beauty of the Yasmin-Arun plot. the same poverty...the same NRI...the same struggle...we've seen all that before.
if you consider the unconventional love story between the Dhobi and the NRI girl...lemme give you my take on it.
there was no real "love story" between the two. Munna was attracted to Shai...and Shai is attracted to Arun! Shai likes Munna..as an interesting subject..gradually he becomes more of a friend that a subject of observation...he becomes a friend to Shai. Shai respects Munna as a person and does not judge him by his profession. Munna is a bit insecure about his profession...especially the night job that he had...it was his dark secret. Munna is taken with Shai... very much taken with her. and Shai is busy pursuing Arun...oblivious to Munna's feelings. this part of the story carries on at its own pace... till Shai finally understands Munna's feelings for her...and a silent tear drop falls.
performance wise...yes, both were good. very good. but for me this part somehow lacked the "punch".

the beauty of the Yasmin-Arun plot had me spell-bound.
the movie as a whole is not a master piece...at least for me...but in parts it definitely is.

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